Wednesday, April 16, 2008

Finding Reality

The door opened, we glided out onto the stage, took a bow, and then I noticed that there were people in the audience. I began the first song of the evening.

"Don't do that!" a voice inside my head screamed as I began a gesture with my arm, "People will think that you aren't being genuine."
"That wasn't so pretty - you really can make more beautiful sounds that that."

The inner dialogue between neuroses continued as I navigated my way through the first song. Nightmarish visions of forgetting the words flew through my mind. I struggled to focus on what was at hand and stay in the text and in the present moment. I tried to base myself in reality.

The song was over. I left the stage to relax before my next set of songs. I realized that my inner critic was out of control and needed to be stopped. I listened to my colleagues sing this incredible, deep, intense Russian music, and remembered that I had a job to do, which was to share this music with the audience and offer myself in service not only to them but the music itself.

I walked out to sing again, found the reality of the song, and suddenly the unimportant surreality of the voices in my head wasn't such a distraction anymore.

Tuesday, April 15, 2008

Late

I grabbed my suit and rushed out the door, turned the key in the lock and flew down the stairs. Once I got outside, I realized with a jolt that my tax extension paperwork that needed to be mailed today was sitting on the lid of the piano. After mad dash back up the stairs, I frantically unlocked the door, grabbed the stamped envelope, a pen, and the necessary papers, and rushed down the stairs again. I rushed across the street and hailed a cab, annoyed that I didn't have time to take the train. I asked the driver to take me to Carnegie, and then I noticed his clock. 12:55. Please tell me your clock is fast, I muttered. I looked at my phone only to discover that it wasn't. I wanted to be at the hall at 1:00 for my 1:15 rehearsal. Now I would be lucky to make it on time. I muttered the expletive of choice, and sank back into the chair, trying to distract myself with the new TV contraption that is ensconced in most of the cabs now only to remind myself that watching it makes me carsick.

Lots of jerky starts and stops later, the clock read 1:11, I was throwing a wad of cash at the driver and sprinting down the street to the stage door. The elevator ride up to Weill felt like it lasted an eon. I bounded out of the elevator and glanced at the clock. 1:13. Enough time to drink water, throw my stuff in a dressing room, and run to the stage.

Rehearsal started. I still had that rushed feeling. That irritation that is seemingly caused by the nuisance of everyone seemingly being in the way, when in reality one is annoyed with oneself for being late in the first place. I had the burning urgency of needing to just get to the next event coursing through my veins, impatience radiating out of me at like an aura of crackling electricity. Then it dawned on me - I am where I need to be. I can relax now. I eased into the flow of rehearsal, and decided with conviction that I will be on time for our performance call time tomorrow.

Sunday, April 13, 2008

Sunday

Today was an attempt at being restful, with only a relaxed rehearsal work-through for our NYFOS concerts next week. Most of my relaxing involved consuming an inordinate amount of food throughout the day. The other part of relaxing involved trying to repair my desktop computer, which has been out of order for months now. It stares at me from across the room when I wake up in the mornings, imploring me to fix it. I heeded it's call today. Now that I'm overstuffed with food, I'm telling myself that at least I'm stocked up on energy for the week ahead. The computer is still on the fritz, but at least I have been trying all day.

Saturday, April 12, 2008

Swamped

I'm swimming in a lot of music right now. Between my upcoming On Wings of Song recital, the NYFOS concerts next week and the week after, and a world premiere in San Diego the week after next, I am a little overwhelmed. Oddly, while I am completely exhausted at the end of each day, I feel like I'm on top of things and everything is where it needs to be. I feel prodigious, disciplined, and diligent in my work ethic, and even though I wake up each day feeling like I am the foot of a mountain I need to scale, I have a great sense of accomplishment when my head hits the pillow in the evening. I'm so grateful to have so much to do. It feels like it is a blessing to be busy.

Friday, April 11, 2008

Tired

It's the end of a long day, so I am going to go to a movie and have a proper date with my other artist, Jeremy.

Thursday, April 10, 2008

Lost Time

This is how I spent my morning today.

(Thanks Felice!)

Op-Ed

A colleague from the tour with the University of Michigan Symphony in February, the poet, Thomas Lynch, wrote an op-ed in the New York Times last Sunday. Read his insightful commentary here. How often, as we strive to make a living and careers, we musicians forget that music actually brings us all together to create beauty and the lesson that provides.

Tuesday, April 08, 2008

Trying Out

I woke up blessedly before the alarm this morning. I hate alarms - waking up to their blare so jarring. It is the closest experience I can imagine to the trauma of being forced out of the warmth of the womb into the cold bite of reality when we are born.

After the purge of morning pages, I flushed my sinuses and did some yoga, my neck, shoulders, calves, and hips screaming in agony as I tried to stretch them out and get blood flowing through them. I vowed to get a massage by the end of the day. I fried an egg , toasted an english muffin, and, annoyed that we were out of fruit, checked email while I ate. After ironing my shirt and making sure my suit wasn't too wrinkled after being neglected in a suitcase, I began to warm up as I got dressed and then rushed off to my audition.

Hopping out of my taxi, I saw that the sun was struggling to win it's battle with the clouds and ducked into the building where my audition was. A soprano was warming up, the Queen of the Night's high notes bouncing off the marble walls of the women's bathroom. I sat with my manager's assistant, and we discussed how the recital went on Sunday. Jeremy arrived from playing another audition elsewhere, and then the appointed hour arrived. We climbed the stairs up to the ballroom, introduced ourselves and began to sing. Two arias later, a couple of questions were asked, some compliments given, we said our goodbyes, and the waiting game began.

Monday, April 07, 2008

Onward

The shrill, piercing bleat of the alarm shockingly announced that it was time to wake up. I saw that it was still dark outside, and rolled over back to my dream, choosing to believe that the alarm was lying.

Five minutes later, the second alarm exploded, imploring us to get out of bed and catch our plane home.

We made ourselves presentable for travel and staggered to the airport shuttle, which whisked us to the airport in a timely fashion. Security was surprisingly not much of a headache, and we breezed to our gate where we boarded the homeward-bound plane. Ensconced in our seats, I envied Jeremy as he proceeded to fall back into a peaceful sleep, as if his slumber had never even been disturbed. I decided to cleanse my conscience by doing my morning pages, and then reached down and pulled out the green notebook that contains the music for New York Festival of Song's concerts next week. The Oklahoma airport shrinking to a series of dots as we ascended, I proceeded to continue my efforts to wrap my mind in the Russian and French songs that are Steve's gifts for me to enjoy discovering over the coming days.

We landed a couple minutes early, Jeremy ran off to play an audition for someone, and I took our suitcases home. I pulled out the yoga mat and made an effort to get my body warmed up, nibbled on a sandwich, sat at the piano to review the songs one more time, and then traipsed off to Steve's to rehearse our musical journey through Russia and France and all that connects them.

Sunday, April 06, 2008

Jumping in

After breakfast, we scrambled to get ready to leave for our rehearsal and our recital that was to happen immediately after. We met Jeremy's page turner, and then dove right in, trying out various parts of the program, feeling out the acoustic of the hall. We debated about whether the piano lid should be at at full or half stick, we ran through the portions of the program that caused us stress, we warmed up the appropriate parts of our bodies needed for performance, and then we waited. While I waiting, I wrote out some song texts, trying to make sure I had them in my memory. I exercised that silly singer habit of testing my voice to make sure that it hadn't left me even though it felt fine thirty seconds ago. Jeremy sat and calmly read. We tied our ties, and then headed out to the hall, and without ever having run the program start to finish, plunged into Purcell.
Suddenly, it was over, our encore finished, Jeremy and I taking our final bows. It felt like a good performance. For a first run, it felt miraculously incredible. Our focus was intense, our hearts expressive. There were some things that we would like to fix, but that is the magic of live performance. It is perfectly human in it's imperfection and must be left behind. Until the next time.

Saturday, April 05, 2008

Study in the Air

The puddle-jumper door closed and the flight attendant informed us in a tired, canned monotone that it was time for us to shut off our cell phones. The moisture was immediately sucked out of my nostrils now that we had been sealed into the tiny cylindrical body of the plane. I noticed that I was in an infinitely better mood than I often am when I have to fly, and then I looked over and realized how much more pleasant it is to travel with Jeremy in tow, as opposed to leaving him behind in our haven on the Upper West Side.

Looking over at this sweet, generous, loving man that I share my life with, I felt our impending first recital together looming in the back of my head like a child screaming for attention. Ignore the recital-child, and he will create problems when they are least expected. Devote a little thought to him, and there is a greater chance that a crisis will be averted. I dutifully and a little grudgingly pulled out a sheet of paper and a pencil to write out the texts of the songs that comprise our program. My immediate thought as I began writing was to admonish myself for not having done this simple exercise sooner. Somehow, a gentle and forgiving voice managed to find its way to the forefront of my mind, reminding me that I had been planning on having another month before putting this program up in public. As the plane took off, I regurgitated each poem onto the page through my pencil, and my anxiety about remembering each word and entrance slowly transformed itself into excitement for this unexpected opportunity to perform tomorrow.

Friday, April 04, 2008

The Unexpected

A short entry today, as Jeremy and I have found ourselves needing to pack for an unexpected, last-minute trip to Oklahoma where we will fill in for two ailing colleagues' recital on short notice this Sunday. Very exciting stuff for us, although we hope our colleagues recover quickly and are feeling better soon.

Thursday, April 03, 2008

Spiritual Sweep

Immersed in Bach last weekend in Chicago, I began to notice how much my ego has come to play a role in my music making as of late. Part of it is the nature of singing oratorio pieces as opposed to opera. We show up to rehearse, rehearsals are short and to the point, and then we perform. The focus is on the music, and on the group as a whole and less on people’s voices and how high or fast they can sing (Carmina Burana excepted). The operatic world can be very focused on things like fach (a vocal niche in terms of repertoire), the size of a given role, how well you sing the high note in the aria, etc. Part of this is because opera is a form of theater, while oratorio work is a more musically focused event. I feel blessed to be able to do a healthy mix of both.

On top of this more musical focus, there is the incredible music of Bach. I found the energy of performing this masterwork to be different from other performances. Part of this is the story, of course, but I was also keenly aware of how great the music is. It is pristine, clear, meditative and yet passionate and expressive – so human and so divine. I wanted to perform well not to feel good about myself and my work, but because I felt that Bach’s music demanded it of me. I felt that it was a privilege to sing, and I ended up coming to the stage from a place of humility. It was a great relief, and I felt like it was a form of spiritual spring cleaning in a way. I certainly feel fresher and more ready to work now that I am back at home.

Wednesday, April 02, 2008

Dating my Artist

Why am I so bad about going on Artist Dates? I never do them. I'm devout about doing my morning pages - I have been for years. But the dates? I either forget to do them or try my damnedest to avoid them. I even tried to invite someone to go along with me on my artist date tonight. The first artist date I've gone on in months.

I'm not sure what my deal is - a lot of the time I never even think to go on one. But today, I reluctantly did it. I went to a movie all by myself at the Tribeca Cinemas (Shelter, in case you are curious). Even as I approached the box office to buy my ticket, I nearly turned around and went home. I felt a little giddy, like I was going on a first date with someone. I was even almost late for the movie - I almost showed up late for a date with myself. What kind of way is that to treat anyone, let alone yourself?

I really enjoyed the movie, and I was surprised how good I felt as I made my way home. I felt lighter, skipping to the station to catch the subway, my head in a dreamy state. It felt good to treat myself to a movie that I had been wanting to see. Going to movies by myself is one of my favorite solitary activities to do, actually, and I found myself wondering why I don't do it more often. Perhaps I will now. Perhaps this relationship with my artist is going somewhere wonderful.

Tuesday, April 01, 2008

Home Sweet Home


Another drainful experience on United today - my flight was canceled again, and what should have been a straightforward, easy trip home became a long sojourn at the airport. A friend pointed out to me that perhaps my "touched" relationship with United is brought on by my own negative thinking every time I need to fly them. Perhaps she's right...I'm sure The Secret would tell me so.

Happily, the sun was shining when I landed back in NYC, which brightened my spirits considerably.

Either way, I am happy to be back in my own bed, thinking about what a great experience I had this weekend.

Another Short Post

The St. Matthew Passion lasts about 3 and half hours. Today was also my last day in Chicago. Thus, a short post.

I had an even better time tonight, having one performance under my belt. I love singing Bach, and I want to sing more. Thankfully, I get to sing more in a few weeks in LA. Still, this experience is leaving me hungry for more and more Bach. So, here I am sending that energy out into the cosmos.

Off to pack and try to get a few hours of sleep so I'm not too much of a disaster tomorrow.

Monday, March 31, 2008

Loving

I love Bach. I can't wait to do another one tomorrow!

Sunday, March 30, 2008

Meditating on Passion

Today’s dress rehearsal was my first experience ever hearing the St. Matthew Passion live, start to finish.

Back in the Fall, when I had an unusually large amount of solitary time to think during my sojourn in France, one of the thoughts that meandered through my mind was wondering how would I feel about performing this deeply religious piece of music for the first time. Musicians are often called upon to perform music that is religious in subject matter, and musicians’ beliefs span a wide spectrum from deeply religious to atheistic. Thinking about this upcoming Bach project got me pondering about how people relate to this music and subject matter. The most common thing I hear to this subject is, “it is such great music.”

Growing up, my mother took us each Sunday to Church, and faith has always been important part of my life. As I grow older and traverse the path my life continues to reveal for me, my feelings and beliefs about religion and the nature of God have changed, and as they evolve the less clear they become. I have always believed in a God, but I have come to question the impact of religion on society, and its reliance on the Bible as a historical document as I have gotten older. I have no answers, some opinions, and a set of beliefs that continues to evolve as time goes on. Coming from this perspective, I wondered, how will I relate to this music that tells the story of the Passion of Christ, the story that is the base of Christianity?

At a previous rehearsal, one of our organists and Jane, our conductor, were discussing the meditative nature of the piece. Today was surely a meditative experience. I found myself finding a fresh perspective on story of the Passion as each soloist breathed an emotional life into the narrative that I had never been able to appreciate before. I realized today that between the structure he created, the texts he chose, and the music he wrote, Bach infused the story with a drama I had never considered. By the time we were half way through the piece, I was surprised to find myself profoundly moved and inspired. I began to realize that in some senses, what is true is not what is important, but it is the lessons that we can draw from the story that are key. What does it mean to be selfless? What does it mean to truly love? In a way, more questions were raised, yet, somehow, I was left with a feeling of peace and the sense that I had taken a journey that had somehow changed me. This is more than just “great music”. It is a great experience.

Friday, March 28, 2008

Obbligato

We braved yesterday’s gloomy weather to rehearse the St. Matthew Passion obbligato arias, which abound in this masterpiece. It was like creating our own musical sunshine, and the grey energy of the day was kept at bay. Together, we channeled our inner chamber musicians, weaving the musical threads that Bach left for us, and I was reminded of sunny days from last summer in Marlboro. Part way through our rehearsal, as we listened to yet another stunning aria being rehearsed, I turned to one of my colleagues and said, “There is no shortage of beautiful music in this piece, is there?” She chuckled as she said, “Indeed, no truer words have been spoken.”

Thursday, March 27, 2008

Indian Winter?

A lovely spring day in Chicago…so much for the nice, warmer weather holding out.

The dreary "wintry mix", as the weather channel refers to it, doesn’t lessen my love for this city by any means, though. As I walked down Michigan Avenue last night, searching for some dinner, a sense of homecoming settled in. While I have never lived in this city, I have spent a decent amount of time here over the years, and something about it’s combination of Midwestern-ness and big city scale strike the right chord in my heart. It has the right mix of sophistication and simplicity.

Off to see how it feels to sing after a couple of days of battling the flow of my runny nose (which has seemingly stopped today).