Showing posts with label Charles Ives. Show all posts
Showing posts with label Charles Ives. Show all posts

Thursday, November 10, 2016

River of Progress

Like a great many people I know, I woke up yesterday morning with the heaviest of hearts.  It was easy in the post-election haze of shock and awe to feel depressed and defeated.  Even the journalists on every news network I watched Tuesday night (and I checked in with all the major networks across the spectrum) seemed somewhat bewildered, confused, and...well...low-energy, to say the least.

It's an extraordinary thing that America chose to elect a man who received no endorsement from any living former president nor any major news publication...a man who was endorsed by the KKK.  It's an incredible thing that America chose to elect a man with absolutely no political experience who unleashed and rode a tidal wave of misogyny, bigotry, and xenophobia to our nation's highest office.

In the wake of that, when viewing it from that perspective, it's easy to feel disgusted, despondent, depressed and like one wants to give up.  I understand that the Canadian immigration website crashed under the deluge of traffic it received Tuesday night, and scrolling through my Facebook feed yesterday morning was like a visual depiction of grief and all its stages - most prevalently anger.

During the administration of President George W. Bush, many Americans with whom I was close (including my partner at the time) were desperate to ex-patriate to Europe, where life seemed better and people seemed more accepting.  I believe the Canadian immigration website was getting a lot of traffic back then, as well.  Yet I never, ever had this inclination, despite the fact that I was frequently working in Europe for extended periods back then.  I was adamant about staying in the US, and proudly being an American despite the jokes that I should pretend to be a Canadian citizen during my foreign travels.

I believe that America is beautiful, and I am proud that it is my home.  Not only is it a stunningly beautiful country in its landscape and natural wonders, but it is a country founded by a handful of visionary geniuses (who were riddled with all the flawed trappings of human genius) on the principle of Freedom.  Part of the beauty of that freedom is that our wonderful land is a place where truly all voices can be heard - most importantly those of dissent.  We witnessed the humbling power of that beauty yesterday, when a strong and vocal minority of the electorate raised their voices of dissent and swept a terrifying, seemingly despotic man whom they felt represents their ideals into power for at least the next 4 years.

The river of progress is a winding one that, just like rivers in nature, sometimes winds back upon itself.  In a strange twist of history, a vestigial institution of a time when our founding fathers felt that both one's genitalia and the color of one's skin determined suffrage was the quirk of our voting system that empowered this minority of voters.  The Electoral College, which was established in lieu of a direct, popular vote as a compromise to appease the slave-owners of the South, empowered a minority voice of dissent against the future legacy of our first black president and the possibility for a woman to finally break the ultimate glass ceiling in America.



I think that it is important to remember that while rivers may wind back on themselves occasionally, and sometimes narrow almost to streams, they always continue to flow.  The analogy makes me think of yet another beautiful, American creation: Charles Ives' setting of Robert Underwood Johnson's poem The Housatonic at Stockbridge.  The river of progress is, like the Housatonic of Johnson's poem, sometimes "overshy" and sometimes "masks its beauty from the eager eye".  But I do believe it will continue to carry us ever onward, and that this week's shocking result is just a "restive ripple" which encourages a "faster drift". I hope it is a wake-up call for us to try to extricate ourselves from our liberal echo chamber and truly hear this voice of dissent, as Michael Moore was encouraging us to do back in July.  I, like the narrator in the poem, "also of much resting have a fear", and I look forward to following this river "to the adventurous sea" that lies beyond, no matter how seemingly meandering its path.

We must remember that we are the voice of the majority of the popular vote that chose progress.  As a result, no matter who is our president, progress was made, and progress will continue.  Perhaps taking confidence in that, we can continue to appreciate the terrifying beauty of our right to Freedom of Speech and listen to these voices of dissent with a bit of compassion, hopefully enabling us all to find a path forward...together. 





Charles Ives
The Housatonic at Stockbridge


TEXT (Robert Underwood Johnson)


Contented river! In thy dreamy realm
The cloudy willow and the plumy elm:
Thou beautiful!
From ev'ry dreamy hill
what eye but wanders with thee at thy will,
Contented river!
And yet over-shy 
To mask thy beauty from the eager eye;
Hast thou a thought to hide from field and town?
In some deep current of the sunlit brown
Ah! there's a restive ripple,
And the swift red leaves
September's firstlings faster drift;
Wouldst thou away, dear stream?
Come, whisper near! 
I also of much resting have a fear:
Let me tomorrow thy companion be, 
By fall and shallow to the adventurous sea!

CREDITS
Nicholas Phan, tenor
Robert Mollicone, piano

recorded LIVE at SF Performances Salons at the Rex, January 28, 2016

Executive Producers: Nicholas Phan, Philip Wilder

SOUND:
Producer / Recording Engineer: Lolly Lewis
Recording assistant: Emma Logan
Mastering / Mixing: Piper Payne, Coast Mastering

VIDEO:
Cinematography: Catharine Axley, Kristine Stolakis
Editor: Catharine Axley

This project is a fiscally sponsored project of FRACTURED ATLAS.
To find our more information and to make a TAX-DEDUCTIBLE 
donation to support the continuation of this project please visit:
https://www.fracturedatlas.org/site/fiscal/profile?id=10592

Wednesday, October 19, 2016

The Things our Fathers Loved

One of the other recording projects I'm currently working on is producing art song and vocal chamber music content specifically for YouTube.  The initial material that was recorded for the first stage of this project is from a salon concert I gave as the resident artist for San Francisco Performances earlier this January.  As tonight's final presidential debate looms, the subject matter of the program we recorded feels very timely.  The program was built from CAIC's 2015 Collaborative Works Festival, which explored America's relationship to faith and spirituality through music.

That evening in January, we began the program with some songs by Charles Ives, a visionary composer whose music still sounds so fresh and current today, despite the fact that it was written 100 years ago.  A true patriot whose music is steeped in the history of New England and the United States, one of his signature techniques was his ability to conjure up nostalgia and memory by creating aural snapshots of the past.  He did this by employing a pastiche technique, incorporating quotes from a number of popular tunes and hymns, seamlessly weaving them together, creating something that sounds entirely new and remarkably unique and individual.

In his short, 105-second song, The Things our Fathers Loved (a setting of one of his own texts), there are countless numbers of popular American tunes and hymns quoted, including Battle Cry of Freedom, Dixie, and Come Thou Font of Every Blessing, just to name a few.  The song weaves all of these tunes together quite elegantly at first, creating a sense of wistfulness for a golden age past.  Gradually, though, the tunes begin to collide with one another, and the voice and piano start to drift in different directions tonally, creating a slight sense of chaos and cacophony.  It is as if the present moment, being the sum of all things past leading up to now, is a bit of a messy jumble, the simplicity of yesteryear a distant memory.  The song ends beautifully, but in a quite unresolved way.  The story is unfinished, the future is both uncertain and unwritten.

Looking ahead to this evening's debate and considering just how acrimonious, sensationalist and low-brow this whole presidential election cycle has been, Ives' song about the continuing clash of the conflicting forces of American history (the song begins with a quote from the unofficial anthem of the Confederacy and then quotes a popular Union tune just 12 measures later!) feels eerily prescient.  It's almost as if he understood the timeline and progress of American history and politics as one of continual conflict, with the hope for growth through some sort of resolution of these opposing forces.  The sense of panic and instability he creates at the song's climax where the piano and voice are in very different tonal worlds, with no seeming relation to each other and both at a dynamically loud peak, feels not unlike the mood right now when thinking about the dirty mud-slinging and ideological conflict that pervades American politics today, in which presidential candidates can't bring themselves to be good enough sports to, at the very least, shake hands at the beginning of a debate.




Charles Ives
The Things Our Fathers Loved

TEXT (Charles Ives)

I think there must be a place in the soul
all made of tunes, of tunes of long ago;
I hear the organ on the Main Street corner,
Aunt Sarah humming Gospels; Summer evenings,
The village cornet band, playing in the square.
The town's Red, White and Blue,
all Red, White and Blue; Now! Hear the words
But they sing in my soul of the things our Fathers loved.

CREDITS

Nicholas Phan, tenor
Robert Mollicone, piano
recorded LIVE at SF Performances Salons at the Rex, January 28, 2016

Executive Producers: Nicholas Phan, Philip Wilder

SOUND:
Producer / Recording Engineer: Lolly Lewis
Recording assistant: Emma Logan
Mastering / Mixing: Piper Payne, Coast Mastering

VIDEO:
Cinematography: Catharine Axley, Kristine Stolakis
Editor: Catharine Axley

This project is a fiscally sponsored project of FRACTURED ATLAS.
To find our more information and to make a TAX-DEDUCTIBLE 
donation to support the continuation of this project please visit:
https://www.fracturedatlas.org/site/fiscal/profile?id=10592