Thursday, April 03, 2008
Spiritual Sweep
Immersed in Bach last weekend in Chicago, I began to notice how much my ego has come to play a role in my music making as of late. Part of it is the nature of singing oratorio pieces as opposed to opera. We show up to rehearse, rehearsals are short and to the point, and then we perform. The focus is on the music, and on the group as a whole and less on people’s voices and how high or fast they can sing (Carmina Burana excepted). The operatic world can be very focused on things like fach (a vocal niche in terms of repertoire), the size of a given role, how well you sing the high note in the aria, etc. Part of this is because opera is a form of theater, while oratorio work is a more musically focused event. I feel blessed to be able to do a healthy mix of both.
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2 comments:
Hey buddy,
this is pretty awesome:
"Perhaps most impressive of all were the tenor solos of Nicholas Phan, whose splendid work with Chicago Opera Theater and, now, MOB makes him a rising star to watch."
By John von Rhein | Chicago Tribune critic
April 2, 2008
Your thoughts about singing Bach reminds me of a comment from Jeremy Denk, over on Think Denk, that really stayed with me:
"My former teacher, György Sebök, tried to instill in me something I probably have not yet totally learned (though nonetheless I think it is true): that endings in Bach do not say 'I have finished the piece,' do not declare any individual accomplishment, but rather indicate: 'God wrote it, and it is good.'"
Whatever your religious/spiritual beliefs, I think it's true that one of the great pleasures of listening to or performing Bach is the wonderful feeling you get that this isn't about you, it's about something bigger. Singing in the chorus for the B-minor mass was the first time I experienced genuine self-forgetfulness, and it really does feel like a "spiritual spring cleaning."
I would love to hear you sing Bach.
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